Oscar Fingal O’Flaherty Wills Wilde (16. oktober 1854 – 30. november 1900) var en irsk forfatter. Hans arbejder omfatter værker som The Picture of Dorian Gray (1891; på dansk Billedet af Dorian Gray) og The Importance of Being Earnest (1895 opført i Danmark under titlen Bunbury), af mange anset for den vittigste farce, der er skrevet på engelsk.
Is a stringed lute on which all winds can play,
Is it for this that I have given away
Mine ancient wisdom, and austere control?
Methinks my life is a twice-written scroll
Scrawled over on some boyish holiday
With idle songs for pipe and virelay,
Which do but mar the secret of the whole.
Surely there was a time I might have trod
The sunlit heights, and from life’s dissonance
Struck one clear chord to reach the ears of God:
Is that time dead? lo! with a little rod
I did but touch the honey of romance—
And must I lose a soul’s inheritance?
See nothing save their own unlovely woe,
Whose minds know nothing, nothing care to know,—
But that the roar of thy Democracies,
Thy reigns of Terror, thy great Anarchies,
Mirror my wildest passions like the sea
And give my rage a brother—! Liberty!
For this sake only do thy dissonant cries
Delight my discreet soul, else might all kings
By bloody knout or treacherous cannonades
Rob nations of their rights inviolate
And I remain unmoved—and yet, and yet,
These Christs that die upon the barricades,
God knows it I am with them, in some things.
Queen of these restless fields of tide,
England! what shall men say of thee,
Before whose feet the worlds divide?
The earth, a brittle globe of glass,
Lies in the hollow of thy hand,
And through its heart of crystal pass,
Like shadows through a twilight land,
The spears of crimson-suited war,
The long white-crested waves of fight,
And all the deadly fires which are
The torches of the lords of Night.
The yellow leopards, strained and lean,
The treacherous Russian knows so well,
With gaping blackened jaws are seen
Leap through the hail of screaming shell.
The strong sea-lion of England’s wars
Hath left his sapphire cave of sea,
To battle with the storm that mars
The stars of England’s chivalry.
The brazen-throated clarion blows
Across the Pathan’s reedy fen,
And the high steeps of Indian snows
Shake to the tread of armèd men.
And many an Afghan chief, who lies
Beneath his cool pomegranate-trees,
Clutches his sword in fierce surmise
When on the mountain-side he sees
The fleet-foot Marri scout, who comes
To tell how he hath heard afar
The measured roll of English drums
Beat at the gates of Kandahar.
For southern wind and east wind meet
Where, girt and crowned by sword and fire,
England with bare and bloody feet
Climbs the steep road of wide empire.
O lonely Himalayan height,
Grey pillar of the Indian sky,
Where saw’st thou last in clanging flight
Our wingèd dogs of Victory?
The almond-groves of Samarcand,
Bokhara, where red lilies blow,
And Oxus, by whose yellow sand
The grave white-turbaned merchants go:
And on from thence to Ispahan,
The gilded garden of the sun,
Whence the long dusty caravan
Brings cedar wood and vermilion;
And that dread city of Cabool
Set at the mountain’s scarpèd feet,
Whose marble tanks are ever full
With water for the noonday heat:
Where through the narrow straight Bazaar
A little maid Circassian
Is led, a present from the Czar
Unto some old and bearded khan,—
Here have our wild war-eagles flown,
And flapped wide wings in fiery fight;
But the sad dove, that sits alone
In England—she hath no delight.
In vain the laughing girl will lean
To greet her love with love-lit eyes:
Down in some treacherous black ravine,
Clutching his flag, the dead boy lies.
And many a moon and sun will see
The lingering wistful children wait
To climb upon their father’s knee;
And in each house made desolate
Pale women who have lost their lord
Will kiss the relics of the slain—
Some tarnished epaulette—some sword—
Poor toys to soothe such anguished pain.
For not in quiet English fields
Are these, our brothers, lain to rest,
Where we might deck their broken shields
With all the flowers the dead love best.
For some are by the Delhi walls,
And many in the Afghan land,
And many where the Ganges falls
Through seven mouths of shifting sand.
And some in Russian waters lie,
And others in the seas which are
The portals to the East, or by
The wind-swept heights of Trafalgar.
O wandering graves! O restless sleep!
O silence of the sunless day!
O still ravine! O stormy deep!
Give up your prey! Give up your prey!
And thou whose wounds are never healed,
Whose weary race is never won,
O Cromwell’s England! must thou yield
For every inch of ground a son?
Go! crown with thorns thy gold-crowned head,
Change thy glad song to song of pain;
Wind and wild wave have got thy dead,
And will not yield them back again.
Wave and wild wind and foreign shore
Possess the flower of English land—
Lips that thy lips shall kiss no more,
Hands that shall never clasp thy hand.
What profit now that we have bound
The whole round world with nets of gold,
If hidden in our heart is found
The care that groweth never old?
What profit that our galleys ride,
Pine-forest-like, on every main?
Ruin and wreck are at our side,
Grim warders of the House of Pain.
Where are the brave, the strong, the fleet?
Where is our English chivalry?
Wild grasses are their burial-sheet,
And sobbing waves their threnody.
O loved ones lying far away,
What word of love can dead lips send!
O wasted dust! O senseless clay!
Is this the end! is this the end!
Peace, peace! we wrong the noble dead
To vex their solemn slumber so;
Though childless, and with thorn-crowned head,
Up the steep road must England go,
Yet when this fiery web is spun,
Her watchmen shall descry from far
The young Republic like a sun
Rise from these crimson seas of war.
From these white cliffs and high-embattled towers;
This gorgeous fiery-coloured world of ours
Seems fallen into ashes dull and grey,
And the age changed unto a mimic play
Wherein we waste our else too-crowded hours:
For all our pomp and pageantry and powers
We are but fit to delve the common clay,
Seeing this little isle on which we stand,
This England, this sea-lion of the sea,
By ignorant demagogues is held in fee,
Who love her not: Dear God! is this the land
Which bare a triple empire in her hand
When Cromwell spake the word Democracy!
When far away upon a barbarous strand,
In fight unequal, by an obscure hand,
Fell the last scion of thy brood of Kings!
Poor boy! thou shalt not flaunt thy cloak of red,
Or ride in state through Paris in the van
Of thy returning legions, but instead
Thy mother France, free and republican,
Shall on thy dead and crownless forehead place
The better laurels of a soldier’s crown,
That not dishonoured should thy soul go down
To tell the mighty Sire of thy race
That France hath kissed the mouth of Liberty,
And found it sweeter than his honied bees,
And that the giant wave Democracy
Breaks on the shores where Kings lay couched at ease.
Still straitened in their rock-hewn sepulchre?
And was Thy Rising only dreamed by her
Whose love of Thee for all her sin atones?
For here the air is horrid with men’s groans,
The priests who call upon Thy name are slain,
Dost Thou not hear the bitter wail of pain
From those whose children lie upon the stones?
Come down, O Son of God! incestuous gloom
Curtains the land, and through the starless night
Over Thy Cross a Crescent moon I see!
If Thou in very truth didst burst the tomb
Come down, O Son of Man! and show Thy might
Lest Mahomet be crowned instead of Thee!
When no man died for freedom anywhere,
But England’s lion leaping from its lair
Laid hands on the oppressor! it was so
While England could a great Republic show.
Witness the men of Piedmont, chiefest care
Of Cromwell, when with impotent despair
The Pontiff in his painted portico
Trembled before our stern ambassadors.
How comes it then that from such high estate
We have thus fallen, save that Luxury
With barren merchandise piles up the gate
Where noble thoughts and deeds should enter by:
Else might we still be Milton’s heritors.
And liking best that state republican
Where every man is Kinglike and no man
Is crowned above his fellows, yet I see,
Spite of this modern fret for Liberty,
Better the rule of One, whom all obey,
Than to let clamorous demagogues betray
Our freedom with the kiss of anarchy.
Wherefore I love them not whose hands profane
Plant the red flag upon the piled-up street
For no right cause, beneath whose ignorant reign
Arts, Culture, Reverence, Honour, all things fade,
Save Treason and the dagger of her trade,
Or Murder with his silent bloody feet.
Of all its ancient chivalry and might
Our little island is forsaken quite:
Some enemy hath stolen its crown of bay,
And from its hills that voice hath passed away
Which spake of Freedom: O come out of it,
Come out of it, my Soul, thou art not fit
For this vile traffic-house, where day by day
Wisdom and reverence are sold at mart,
And the rude people rage with ignorant cries
Against an heritage of centuries.
It mars my calm: wherefore in dreams of Art
And loftiest culture I would stand apart,
Neither for God, nor for his enemies.
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.
Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger
The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place
Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.
There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave
Yon spirèd hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl
Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.
The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which are
Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheræa’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take
Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,
Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.
And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.
And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.
And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!
And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.
And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the Ægean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.
Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few
Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.
Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.
Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais: with his lips Song passed away.
Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk alone,
Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,
And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tuskèd boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.
And he hath kissed the lips of Proserpine,
And sung the Galilæan’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.
Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,
Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.
We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,
Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field
Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,
And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;
The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.
Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!
For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,
Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery
Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.
But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.
Methinks these new Actæons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!
What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles! Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay
Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must
Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.
Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out: I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!
Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ’gins to flush with crimson shame, and die beneath the light.
Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,
Scatters the pearlèd dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east: see, the red rim
O’ertops the expectant hills! it is the God! for love of him
Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life’s buried here,
Heap earth upon it.
Italia, my Italia, at thy name:
And when from out the mountain’s heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the marvel of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned.
The pine-trees waved as waves a woman’s hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:
But when I knew that far away at Rome
In evil bonds a second Peter lay,
I wept to see the land so very fair.
Up to this holy house of God,
Where once that Angel-Painter trod
Who saw the heavens opened wide,
And throned upon the crescent moon
The Virginal white Queen of Grace,—
Mary! could I but see thy face
Death could not come at all too soon.
O crowned by God with thorns and pain!
Mother of Christ! O mystic wife!
My heart is weary of this life
And over-sad to sing again.
O crowned by God with love and flame!
O crowned by Christ the Holy One!
O listen ere the searching sun
Show to the world my sin and shame.
A scene of wondrous glory, as was told
Of some great God who in a rain of gold
Broke open bars and fell on Danae:
Or a dread vision as when Semele
Sickening for love and unappeased desire
Prayed to see God’s clear body, and the fire
Caught her brown limbs and slew her utterly:
With such glad dreams I sought this holy place,
And now with wondering eyes and heart I stand
Before this supreme mystery of Love:
Some kneeling girl with passionless pale face,
An angel with a lily in his hand,
And over both the white wings of a Dove.
Of battle-spears thy clamorous armies stride
From the north Alps to the Sicilian tide!
Ay! fallen, though the nations hail thee Queen
Because rich gold in every town is seen,
And on thy sapphire-lake in tossing pride
Of wind-filled vans thy myriad galleys ride
Beneath one flag of red and white and green.
O Fair and Strong! O Strong and Fair in vain!
Look southward where Rome’s desecrated town
Lies mourning for her God-anointed King!
Look heaven-ward! shall God allow this thing?
Nay! but some flame-girt Raphael shall come down,
And smite the Spoiler with the sword of pain.
The oranges on each o’erhanging spray
Burned as bright lamps of gold to shame the day;
Some startled bird with fluttering wings and fleet
Made snow of all the blossoms; at my feet
Like silver moons the pale narcissi lay:
And the curved waves that streaked the great green bay
Laughed i’ the sun, and life seemed very sweet.
Outside the young boy-priest passed singing clear,
‘Jesus the son of Mary has been slain,
O come and fill His sepulchre with flowers.’
Ah, God! Ah, God! those dear Hellenic hours
Had drowned all memory of Thy bitter pain,
The Cross, the Crown, the Soldiers and the Spear.
THE corn has turned from grey to red,
Since first my spirit wandered forth
From the drear cities of the north,
And to Italia’s mountains fled.
And here I set my face towards home,
For all my pilgrimage is done,
Although, methinks, yon blood-red sun
Marshals the way to Holy Rome.
O Blessed Lady, who dost hold
Upon the seven hills thy reign!
O Mother without blot or stain,
Crowned with bright crowns of triple gold!
O Roma, Roma, at thy feet
I lay this barren gift of song!
For, ah! the way is steep and long
That leads unto thy sacred street.
AND yet what joy it were for me
To turn my feet unto the south,
And journeying towards the Tiber mouth
To kneel again at Fiesole!
And wandering through the tangled pines
That break the gold of Arno’s stream,
To see the purple mist and gleam
Of morning on the Apennines
By many a vineyard-hidden home,
Orchard and olive-garden grey,
Till from the drear Campagna’s way
The seven hills bear up the dome!
A PILGRIM from the northern seas—
What joy for me to seek alone
The wondrous temple and the throne
Of him who holds the awful keys!
When, bright with purple and with gold
Come priest and holy cardinal,
And borne above the heads of all
The gentle Shepherd of the Fold.
O joy to see before I die
The only God-anointed king,
And hear the silver trumpets ring
A triumph as he passes by!
Or at the brazen-pillared shrine
Holds high the mystic sacrifice,
And shows his God to human eyes
Beneath the veil of bread and wine.
FOR lo, what changes time can bring!
The cycles of revolving years
May free my heart from all its fears,
And teach my lips a song to sing.
Before yon field of trembling gold
Is garnered into dusty sheaves,
Or ere the autumn’s scarlet leaves
Flutter as birds adown the wold,
I may have run the glorious race,
And caught the torch while yet aflame,
And called upon the holy name
Of Him who now doth hide His face.
In the first days thy sword republican
Ruled the whole world for many an age’s span:
Then of the peoples wert thou royal Queen,
Till in thy streets the bearded Goth was seen;
And now upon thy walls the breezes fan
(Ah, city crowned by God, discrowned by man!)
The hated flag of red and white and green.
When was thy glory! when in search for power
Thine eagles flew to greet the double sun,
And the wild nations shuddered at thy rod?
Nay, but thy glory tarried for this hour,
When pilgrims kneel before the Holy One,
The prisoned shepherd of the Church of God.
Sad olive-groves, or silver-breasted dove,
Teach me more clearly of Thy life and love
Than terrors of red flame and thundering.
The hillside vines dear memories of Thee bring:
A bird at evening flying to its nest
Tells me of One who had no place of rest:
I think it is of Thee the sparrows sing.
Come rather on some autumn afternoon,
When red and brown are burnished on the leaves,
And the fields echo to the gleaner’s song,
Come when the splendid fulness of the moon
Looks down upon the rows of golden sheaves,
And reap Thy harvest: we have waited long.
The people knelt upon the ground with awe:
And borne upon the necks of men I saw,
Like some great God, the Holy Lord of Rome.
Priest-like, he wore a robe more white than foam,
And, king-like, swathed himself in royal red,
Three crowns of gold rose high upon his head:
In splendour and in light the Pope passed home.
My heart stole back across wide wastes of years
To One who wandered by a lonely sea,
And sought in vain for any place of rest:
‘Foxes have holes, and every bird its nest.
I, only I, must wander wearily,
And bruise my feet, and drink wine salt with tears.’
For I am drowning in a stormier sea
Than Simon on Thy lake of Galilee:
The wine of life is spilt upon the sand,
My heart is as some famine-murdered land
Whence all good things have perished utterly,
And well I know my soul in Hell must lie
If I this night before God’s throne should stand.
‘He sleeps perchance, or rideth to the chase,
Like Baal, when his prophets howled that name
From morn to noon on Carmel’s smitten height.’
Nay, peace, I shall behold, before the night,
The feet of brass, the robe more white than flame,
The wounded hands, the weary human face.
Till the wet waves drenched face and hair with spray;
The long red fires of the dying day
Burned in the west; the wind piped drearily;
And to the land the clamorous gulls did flee:
‘Alas!’ I cried, ‘my life is full of pain,
And who can garner fruit or golden grain
From these waste fields which travail ceaselessly!’
My nets gaped wide with many a break and flaw,
Nathless I threw them as my final cast
Into the sea, and waited for the end.
When lo! a sudden glory! and I saw
From the black waters of my tortured past
The argent splendour of white limbs ascend!
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o’ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion’s breast, and saw
The seventh Crystal, and the Stair of Gold.
The sons of God fought in that great emprise?
Why dost thou walk our common earth again?
Hast thou forgotten that impassioned boy,
His purple galley and his Tyrian men
And treacherous Aphrodite’s mocking eyes?
For surely it was thou, who, like a star
Hung in the silver silence of the night,
Didst lure the Old World’s chivalry and might
Into the clamorous crimson waves of war!
Or didst thou rule the fire-laden moon?
In amorous Sidon was thy temple built
Over the light and laughter of the sea
Where, behind lattice scarlet-wrought and gilt,
Some brown-limbed girl did weave thee tapestry,
All through the waste and wearied hours of noon;
Till her wan cheek with flame of passion burned,
And she rose up the sea-washed lips to kiss
Of some glad Cyprian sailor, safe returned
From Calpé and the cliffs of Herakles!
No! thou art Helen, and none other one!
It was for thee that young Sarpedôn died,
And Memnôn’s manhood was untimely spent;
It was for thee gold-crested Hector tried
With Thetis’ child that evil race to run,
In the last year of thy beleaguerment;
Ay! even now the glory of thy fame
Burns in those fields of trampled asphodel,
Where the high lords whom Ilion knew so well
Clash ghostly shields, and call upon thy name.
Where hast thou been? in that enchanted land
Whose slumbering vales forlorn Calypso knew,
Where never mower rose at break of day
But all unswathed the trammelling grasses grew,
And the sad shepherd saw the tall corn stand
Till summer’s red had changed to withered grey?
Didst thou lie there by some Lethæan stream
Deep brooding on thine ancient memory,
The crash of broken spears, the fiery gleam
From shivered helm, the Grecian battle-cry?
Nay, thou wert hidden in that hollow hill
With one who is forgotten utterly,
That discrowned Queen men call the Erycine;
Hidden away that never mightst thou see
The face of Her, before whose mouldering shrine
To-day at Rome the silent nations kneel;
Who gat from Love no joyous gladdening,
But only Love’s intolerable pain,
Only a sword to pierce her heart in twain,
Only the bitterness of child-bearing.
The lotus-leaves which heal the wounds of Death
Lie in thy hand; O, be thou kind to me,
While yet I know the summer of my days;
For hardly can my tremulous lips draw breath
To fill the silver trumpet with thy praise,
So bowed am I before thy mystery;
So bowed and broken on Love’s terrible wheel,
That I have lost all hope and heart to sing,
Yet care I not what ruin time may bring
If in thy temple thou wilt let me kneel.
Alas, alas, thou wilt not tarry here,
But, like that bird, the servant of the sun,
Who flies before the north wind and the night,
So wilt thou fly our evil land and drear,
Back to the tower of thine old delight,
And the red lips of young Euphorion;
Nor shall I ever see thy face again,
But in this poisonous garden-close must stay,
Crowning my brows with the thorn-crown of pain,
Till all my loveless life shall pass away.
O Helen! Helen! Helen! yet a while,
Yet for a little while, O, tarry here,
Till the dawn cometh and the shadows flee!
For in the gladsome sunlight of thy smile
Of heaven or hell I have no thought or fear,
Seeing I know no other god but thee:
No other god save him, before whose feet
In nets of gold the tired planets move,
The incarnate spirit of spiritual love
Who in thy body holds his joyous seat.
Thou wert not born as common women are!
But, girt with silver splendour of the foam,
Didst from the depths of sapphire seas arise!
And at thy coming some immortal star,
Bearded with flame, blazed in the Eastern skies,
And waked the shepherds on thine island-home.
Thou shalt not die: no asps of Egypt creep
Close at thy heels to taint the delicate air;
No sullen-blooming poppies stain thy hair,
Those scarlet heralds of eternal sleep.
Lily of love, pure and inviolate!
Tower of ivory! red rose of fire!
Thou hast come down our darkness to illume:
For we, close-caught in the wide nets of Fate,
Wearied with waiting for the World’s Desire,
Aimlessly wandered in the House of gloom,
Aimlessly sought some slumberous anodyne
For wasted lives, for lingering wretchedness,
Till we beheld thy re-arisen shrine,
And the white glory of thy loveliness.
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!
Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in _partibus_! look at those gaudy scales all green and gold.
The wind the restless prisoner of the trees
Does well for Palæstrina, one would say
The mighty master’s hands were on the keys
Of the Maria organ, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne
From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.
Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.
The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.
Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.
Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.
And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,
And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.
And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-trancèd day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.
But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.
Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield
Which Grecian meadows know not, many a rose
Which all day long in vales Æolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue
Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little weed of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy
Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheræa’s brows are hidden here
Unknown to Cytheræa, and by yonder pasturing steer
There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold
As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns
Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,
Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis
Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,
Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Mæonia’s bard
With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;
Of wingèd Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,
For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ’t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.
If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—
Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—
Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.
Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.
Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!
Sing on! and I will wear the leopard skin,
And steal the moonèd wings of Ashtaroth,
Upon whose icy chariot we could win
Cithæron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn
Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Mænad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush
Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their hornèd master sits in state
Bring strawberries and bloomy plums upon a wicker crate!
Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the virgin maid will ride.
Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!
Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!
O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,
Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.
O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!
Sing on! sing on! I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!
Sing on! sing on! O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and murder pillowed sleep.
Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?
O Memory cast down thy wreathèd shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!
Cease, cease, or if ’t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.
A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.
A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had thrust aside the branches of her oak
To see the lusty gold-haired lad rein in his snorting yoke.
A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile
Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy slope with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.
Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou wingèd Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!
It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody
So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,
Here is no cruel Lord with murderous blade,
No woven web of bloody heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.
The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds
Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.
The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.
She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.
Ah! the brown bird has ceased: one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.
And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’t is the curfew booming from the bell at Christ Church gate.
Changed to a Harmony in grey:
A barge with ochre-coloured hay
Dropt from the wharf: and chill and cold
The yellow fog came creeping down
The bridges, till the houses’ walls
Seemed changed to shadows and St. Paul’s
Loomed like a bubble o’er the town.
Then suddenly arose the clang
Of waking life; the streets were stirred
With country waggons: and a bird
Flew to the glistening roofs and sang.
But one pale woman all alone,
The daylight kissing her wan hair,
Loitered beneath the gas lamps’ flare,
With lips of flame and heart of stone.
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze,
The odour of deep wet grass, and of brown new-furrowed earth,
The birds are singing for joy of the Spring’s glad birth,
Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring,
And the rose-bud breaks into pink on the climbing briar,
And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love
Till it rustles with laughter and tosses its mantle of green,
And the gloom of the wych-elm’s hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there,
Breaking the gossamer threads and the nets of dew,
And flashing adown the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.
Of all the great things men have saved from Time,
The withered body of a girl was brought
Dead ere the world’s glad youth had touched its prime,
And seen by lonely Arabs lying hid
In the dim womb of some black pyramid.
But when they had unloosed the linen band
Which swathed the Egyptian’s body,—lo! was found
Closed in the wasted hollow of her hand
A little seed, which sown in English ground
Did wondrous snow of starry blossoms bear
And spread rich odours through our spring-tide air.
With such strange arts this flower did allure
That all forgotten was the asphodel,
And the brown bee, the lily’s paramour,
Forsook the cup where he was wont to dwell,
For not a thing of earth it seemed to be,
But stolen from some heavenly Arcady.
In vain the sad narcissus, wan and white
At its own beauty, hung across the stream,
The purple dragon-fly had no delight
With its gold dust to make his wings a-gleam,
Ah! no delight the jasmine-bloom to kiss,
Or brush the rain-pearls from the eucharis.
For love of it the passionate nightingale
Forgot the hills of Thrace, the cruel king,
And the pale dove no longer cared to sail
Through the wet woods at time of blossoming,
But round this flower of Egypt sought to float,
With silvered wing and amethystine throat.
While the hot sun blazed in his tower of blue
A cooling wind crept from the land of snows,
And the warm south with tender tears of dew
Drenched its white leaves when Hesperos up-rose
Amid those sea-green meadows of the sky
On which the scarlet bars of sunset lie.
But when o’er wastes of lily-haunted field
The tired birds had stayed their amorous tune,
And broad and glittering like an argent shield
High in the sapphire heavens hung the moon,
Did no strange dream or evil memory make
Each tremulous petal of its blossoms shake?
Ah no! to this bright flower a thousand years
Seemed but the lingering of a summer’s day,
It never knew the tide of cankering fears
Which turn a boy’s gold hair to withered grey,
The dread desire of death it never knew,
Or how all folk that they were born must rue.
For we to death with pipe and dancing go,
Nor would we pass the ivory gate again,
As some sad river wearied of its flow
Through the dull plains, the haunts of common men,
Leaps lover-like into the terrible sea!
And counts it gain to die so gloriously.
We mar our lordly strength in barren strife
With the world’s legions led by clamorous care,
It never feels decay but gathers life
From the pure sunlight and the supreme air,
We live beneath Time’s wasting sovereignty,
It is the child of all eternity.
My feet are sore with travelling,
For, calling on my Lady’s name,
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love’s sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart’s delight,
Fairer than Queen or courtesan
Or moonlit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet’s throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
Are goodly gifts for thee,
And a hempen rope for your own love
To hang upon a tree.
For you a House of Ivory,
(Roses are white in the rose-bower)!
A narrow bed for me to lie,
(White, O white, is the hemlock flower)!
Myrtle and jessamine for you,
(O the red rose is fair to see)!
For me the cypress and the rue,
(Finest of all is rosemary)!
For you three lovers of your hand,
(Green grass where a man lies dead)!
For me three paces on the sand,
(Plant lilies at my head)!
THE sea is flecked with bars of grey,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
LA FUITE DE LA LUNE
TO outer senses there is peace,
A dreamy peace on either hand
Deep silence in the shadowy land,
Deep silence where the shadows cease.
Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.
And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.
He rests at last beneath God’s veil of blue:
Taken from life when life and love were new
The youngest of the martyrs here is lain,
Fair as Sebastian, and as early slain.
No cypress shades his grave, no funeral yew,
But gentle violets weeping with the dew
Weave on his bones an ever-blossoming chain.
O proudest heart that broke for misery!
O sweetest lips since those of Mitylene!
O poet-painter of our English Land!
Thy name was writ in water—it shall stand:
And tears like mine will keep thy memory green,
As Isabella did her Basil-tree.
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simætha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
Strayed in a fitful fantasy,
Like the silver gleam when the poplar trees
Rustle their pale-leaves listlessly,
Or the drifting foam of a restless sea
When the waves show their teeth in the flying breeze.
Her gold hair fell on the wall of gold
Like the delicate gossamer tangles spun
On the burnished disk of the marigold,
Or the sunflower turning to meet the sun
When the gloom of the dark blue night is done,
And the spear of the lily is aureoled.
And her sweet red lips on these lips of mine
Burned like the ruby fire set
In the swinging lamp of a crimson shrine,
Or the bleeding wounds of the pomegranate,
Or the heart of the lotus drenched and wet
With the spilt-out blood of the rose-red wine.
When the knights are meeting in market-place.
Nay, go not thou to the red-roofed town
Lest the hoofs of the war-horse tread thee down.
But I would not go where the Squires ride,
I would only walk by my Lady’s side.
Alack! and alack! thou art overbold,
A Forester’s son may not eat off gold.
Will she love me the less that my Father is seen
Each Martinmas day in a doublet green?
Perchance she is sewing at tapestrie,
Spindle and loom are not meet for thee.
Ah, if she is working the arras bright
I might ravel the threads by the fire-light.
Perchance she is hunting of the deer,
How could you follow o’er hill and mere?
Ah, if she is riding with the court,
I might run beside her and wind the morte.
Perchance she is kneeling in St. Denys,
(On her soul may our Lady have gramercy!)
Ah, if she is praying in lone chapelle,
I might swing the censer and ring the bell.
Come in, my son, for you look sae pale,
The father shall fill thee a stoup of ale.
But who are these knights in bright array?
Is it a pageant the rich folks play?
’T is the King of England from over sea,
Who has come unto visit our fair countrie.
But why does the curfew toll sae low?
And why do the mourners walk a-row?
O ’t is Hugh of Amiens my sister’s son
Who is lying stark, for his day is done.
Nay, nay, for I see white lilies clear,
It is no strong man who lies on the bier.
O ’t is old Dame Jeannette that kept the hall,
I knew she would die at the autumn fall.
Dame Jeannette had not that gold-brown hair,
Old Jeannette was not a maiden fair.
O ’t is none of our kith and none of our kin,
(Her soul may our Lady assoil from sin!)
But I hear the boy’s voice chaunting sweet,
‘Elle est morte, la Marguerite.’
Come in, my son, and lie on the bed,
And let the dead folk bury their dead.
O mother, you know I loved her true:
O mother, hath one grave room for two?
And seven in the sky;
Seven sins on the King’s daughter,
Deep in her soul to lie.
Red roses are at her feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.
What do they there so stark and dead?
(There is blood upon her hand)
Why are the lilies flecked with red?
(There is blood on the river sand.)
There are two that ride from the south and east,
And two from the north and west,
For the black raven a goodly feast,
For the King’s daughter rest.
There is one man who loves her true,
(Red, O red, is the stain of gore!)
He hath duggen a grave by the darksome yew,
(One grave will do for four.)
No moon in the still heaven,
In the black water none,
The sins on her soul are seven,
The sin upon his is one.
And heard sweet notes of sylvan music blown
From antique reeds to common folk unknown:
And often launched our bark upon that sea
Which the nine Muses hold in empery,
And ploughed free furrows through the wave and foam,
Nor spread reluctant sail for more safe home
Till we had freighted well our argosy.
Of which despoilèd treasures these remain,
Sordello’s passion, and the honeyed line
Of young Endymion, lordly Tamburlaine
Driving his pampered jades, and more than these,
The seven-fold vision of the Florentine,
And grave-browed Milton’s solemn harmonies.
To grey-eyed Pallas crowns of olive-leaves!
Demeter’s child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o’er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary’s son is King.
And yet—perchance in this sea-trancèd isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be, then it were well
For us to fly his anger: nay, but see,
The leaves are stirring: let us watch awhile.
With no green weight of laurels round his head,
But with sad eyes as one uncomforted,
And wearied with man’s never-ceasing moan
For sins no bleating victim can atone,
And sweet long lips with tears and kisses fed.
Girt was he in a garment black and red,
And at his feet I marked a broken stone
Which sent up lilies, dove-like, to his knees.
Now at their sight, my heart being lit with flame,
I cried to Beatricé, ‘Who are these?’
And she made answer, knowing well each name,
‘Æschylos first, the second Sophokles,
And last (wide stream of tears!) Euripides.’
Burned like a heated opal through the air;
We hoisted sail; the wind was blowing fair
For the blue lands that to the eastward lie.
From the steep prow I marked with quickening eye
Zakynthos, every olive grove and creek,
Ithaca’s cliff, Lycaon’s snowy peak,
And all the flower-strewn hills of Arcady.
The flapping of the sail against the mast,
The ripple of the water on the side,
The ripple of girls’ laughter at the stern,
The only sounds:—when ’gan the West to burn,
And a red sun upon the seas to ride,
I stood upon the soil of Greece at last!
Gaunt cypress-trees stand round the sun-bleached stone;
Here doth the little night-owl make her throne,
And the slight lizard show his jewelled head.
And, where the chaliced poppies flame to red,
In the still chamber of yon pyramid
Surely some Old-World Sphinx lurks darkly hid,
Grim warder of this pleasaunce of the dead.
Ah! sweet indeed to rest within the womb
Of Earth, great mother of eternal sleep,
But sweeter far for thee a restless tomb
In the blue cavern of an echoing deep,
Or where the tall ships founder in the gloom
Against the rocks of some wave-shattered steep.
Grows crimson in the dawning light,
Though the grey shadows of the night
Lie yet on Florence like a pall.
The dew is bright upon the hill,
And bright the blossoms overhead,
But ah! the grasshoppers have fled,
The little Attic song is still.
Only the leaves are gently stirred
By the soft breathing of the gale,
And in the almond-scented vale
The lonely nightingale is heard.
The day will make thee silent soon,
O nightingale sing on for love!
While yet upon the shadowy grove
Splinter the arrows of the moon.
Before across the silent lawn
In sea-green vest the morning steals,
And to love’s frightened eyes reveals
The long white fingers of the dawn
Fast climbing up the eastern sky
To grasp and slay the shuddering night,
All careless of my heart’s delight,
Or if the nightingale should die.
The dead that travel fast, the opening door,
The murdered brother rising through the floor,
The ghost’s white fingers on thy shoulders laid,
And then the lonely duel in the glade,
The broken swords, the stifled scream, the gore,
Thy grand revengeful eyes when all is o’er,—
These things are well enough,—but thou wert made
For more august creation! frenzied Lear
Should at thy bidding wander on the heath
With the shrill fool to mock him, Romeo
For thee should lure his love, and desperate fear
Pluck Richard’s recreant dagger from its sheath—
Thou trumpet set for Shakespeare’s lips to blow!
From passionate pain to deadlier delight,—
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion—youth’s first fiery glow,—
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!
Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune,—
Mark how she wreathes each horn with mist, yon late and labouring
White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water,—are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others’ mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion’s arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethæan spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance—O we are born too late!
What balm for us in bruisèd poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt,
Wearied of pleasure’s paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death’s river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart’s blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole
One grand great life throbs through earth’s giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death’s despite.
The boy’s first kiss, the hyacinth’s first bell,
The man’s last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover’s eyes,—these with the same
One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew
Thy crimson-stainèd mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.
And thus without life’s conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet’s throat will sing again,
And as two gorgeous-mailèd snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep
And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth’s earliest conqueror becomes earth’s last great prey.
O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature’s mysteries, for we shall hear
The thrush’s heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers’ lips that kiss, the poets’ lips that sing.
Is the light vanished from our golden sun,
Or is this dædal-fashioned earth less fair,
That we are nature’s heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all æons mix and mingle with the Kosmic Soul!
We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World’s throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.
The circling mists and shadows flee,
The dawn is rising from the sea,
Like a white lady from her bed.
And jagged brazen arrows fall
Athwart the feathers of the night,
And a long wave of yellow light
Breaks silently on tower and hall,
And spreading wide across the wold
Wakes into flight some fluttering bird,
And all the chestnut tops are stirred,
And all the branches streaked with gold.
For exile-wearied feet as mine to tread,
And O how salt and bitter is the bread
Which falls from this Hound’s table,—better far
That I had died in the red ways of war,
Or that the gate of Florence bare my head,
Than to live thus, by all things comraded
Which seek the essence of my soul to mar.
‘Curse God and die: what better hope than this?
He hath forgotten thee in all the bliss
Of his gold city, and eternal day’—
Nay peace: behind my prison’s blinded bars
I do possess what none can take away
My love, and all the glory of the stars.
Barter my cloth of gold for hodden grey,
And at thy pleasure weave that web of pain
Whose brightest threads are each a wasted day?
Is it thy will—Love that I love so well—
That my Soul’s House should be a tortured spot
Wherein, like evil paramours, must dwell
The quenchless flame, the worm that dieth not?
Nay, if it be thy will I shall endure,
And sell ambition at the common mart,
And let dull failure be my vestiture,
And sorrow dig its grave within my heart.
Perchance it may be better so—at least
I have not made my heart a heart of stone,
Nor starved my boyhood of its goodly feast,
Nor walked where Beauty is a thing unknown.
Many a man hath done so; sought to fence
In straitened bonds the soul that should be free,
Trodden the dusty road of common sense,
While all the forest sang of liberty,
Not marking how the spotted hawk in flight
Passed on wide pinion through the lofty air,
To where some steep untrodden mountain height
Caught the last tresses of the Sun God’s hair.
Or how the little flower he trod upon,
The daisy, that white-feathered shield of gold,
Followed with wistful eyes the wandering sun
Content if once its leaves were aureoled.
But surely it is something to have been
The best belovèd for a little while,
To have walked hand in hand with Love, and seen
His purple wings flit once across thy smile.
Ay! though the gorgèd asp of passion feed
On my boy’s heart, yet have I burst the bars,
Stood face to face with Beauty, known indeed
The Love which moves the Sun and all the stars!
When first he takes from out the hidden shrine
His God imprisoned in the Eucharist,
And eats the bread, and drinks the dreadful wine,
Feels not such awful wonder as I felt
When first my smitten eyes beat full on thee,
And all night long before thy feet I knelt
Till thou wert wearied of Idolatry.
Ah! hadst thou liked me less and loved me more,
Through all those summer days of joy and rain,
I had not now been sorrow’s heritor,
Or stood a lackey in the House of Pain.
Yet, though remorse, youth’s white-faced seneschal,
Tread on my heels with all his retinue,
I am most glad I loved thee—think of all
The suns that go to make one speedwell blue!
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.
And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.
But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love: it was here I trow
I made that vow,
Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun,—
It shall be, I said, for eternity
’Twixt you and me!
Dear friend, those times are over and done;
Love’s web is spun.
Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.
Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy,—
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.
Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the breasts of May
Whose crimson roses burst his frost,
Will find a harbour in some bay,
And so we may.
And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty,—you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.
We took our hearts’ full pleasure—You and I,
And now the white sails of our ship are furled,
And spent the lading of our argosy.
Wherefore my cheeks before their time are wan,
For very weeping is my gladness fled,
Sorrow has paled my young mouth’s vermilion,
And Ruin draws the curtains of my bed.
But all this crowded life has been to thee
No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
That sleeps, a mimic echo, in the shell.
This paltry age’s gaudy livery,
To let each base hand filch my treasury,
To mesh my soul within a woman’s hair,
And be mere Fortune’s lackeyed groom,—I swear
I love it not! these things are less to me
Than the thin foam that frets upon the sea,
Less than the thistledown of summer air
Which hath no seed: better to stand aloof
Far from these slanderous fools who mock my life
Knowing me not, better the lowliest roof
Fit for the meanest hind to sojourn in,
Than to go back to that hoarse cave of strife
Where my white soul first kissed the mouth of sin.
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew
From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep
From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack
Where the gaunt bittern stalks among the reeds
And flaps his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.
Full winter: and the lusty goodman brings
His load of faggots from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;
Already the slim crocus stirs the snow,
And soon yon blanchèd fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers
From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery
Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathèd emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.
Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals
Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed
Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.
O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.
Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.
Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!
There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?
Nay, nay, thou art the same: ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!
Thou art the same: ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’
To burn with one clear flame, to stand erect
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?
The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.
The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle ????? of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?
Nay! for perchance that poppy-crownèd god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.
And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the archèd splendour of those brows Olympian
Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.
My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence! Hence! I pass unto a life more barren, more austere.
More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless bosom bears the sign Gorgonian.
Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.
Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.
Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life: was not thy glory hymned
By One who gave to thee his sword and lyre
Like Æschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!
And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.
Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.
Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven: the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read
How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylæ
Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazèd at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er
Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,
Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much: for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.
O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!
Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle! Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;
But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?
One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour
Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery
Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.
He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!
Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!
O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;
Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,
He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.
Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash Ægina fret in loneliness
Not mirroring their beauty; so our lives grow colourless
For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,
What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them bodily? O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,
Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,
See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy: Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:—O we are wretched men
Unworthy of our great inheritance! where is the pen
Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm
Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp
Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.
What even Cromwell spared is desecrated
By weed and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands: Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.
Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow
For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us: the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us: but that Spirit hath passed away.
And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
Murder her brother is her bedfellow,
And the Plague chambers with her: in obscene
And bloody paths her treacherous feet are set;
Better the empty desert and a soul inviolate!
For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,
Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us! The old Greek serenity
Which curbs the passion of that level line
Of marble youths, who with untroubled eyes
And chastened limbs ride round Athena’s shrine
And mirror her divine economies,
And balanced symmetry of what in man
Would else wage ceaseless warfare,—this at least within the span
Between our mother’s kisses and the grave
Might so inform our lives, that we could win
Such mighty empires that from her cave
Temptation would grow hoarse, and pallid Sin
Would walk ashamed of his adulteries,
And Passion creep from out the House of Lust with startled eyes.
To make the body and the spirit one
With all right things, till no thing live in vain
From morn to noon, but in sweet unison
With every pulse of flesh and throb of brain
The soul in flawless essence high enthroned,
Against all outer vain attack invincibly bastioned,
Mark with serene impartiality
The strife of things, and yet be comforted,
Knowing that by the chain causality
All separate existences are wed
Into one supreme whole, whose utterance
Is joy, or holier praise! ah! surely this were governance
Of Life in most august omnipresence,
Through which the rational intellect would find
In passion its expression, and mere sense,
Ignoble else, lend fire to the mind,
And being joined with it in harmony
More mystical than that which binds the stars planetary,
Strike from their several tones one octave chord
Whose cadence being measureless would fly
Through all the circling spheres, then to its Lord
Return refreshed with its new empery
And more exultant power,—this indeed
Could we but reach it were to find the last, the perfect creed.
Ah! it was easy when the world was young
To keep one’s life free and inviolate,
From our sad lips another song is rung,
By our own hands our heads are desecrate,
Wanderers in drear exile, and dispossessed
Of what should be our own, we can but feed on wild unrest.
Somehow the grace, the bloom of things has flown,
And of all men we are most wretched who
Must live each other’s lives and not our own
For very pity’s sake and then undo
All that we lived for—it was otherwise
When soul and body seemed to blend in mystic symphonies.
But we have left those gentle haunts to pass
With weary feet to the new Calvary,
Where we behold, as one who in a glass
Sees his own face, self-slain Humanity,
And in the dumb reproach of that sad gaze
Learn what an awful phantom the red hand of man can raise.
O smitten mouth! O forehead crowned with thorn!
O chalice of all common miseries!
Thou for our sakes that loved thee not hast borne
An agony of endless centuries,
And we were vain and ignorant nor knew
That when we stabbed thy heart it was our own real hearts we slew.
Being ourselves the sowers and the seeds,
The night that covers and the lights that fade,
The spear that pierces and the side that bleeds,
The lips betraying and the life betrayed;
The deep hath calm: the moon hath rest: but we
Lords of the natural world are yet our own dread enemy.
Is this the end of all that primal force
Which, in its changes being still the same,
From eyeless Chaos cleft its upward course,
Through ravenous seas and whirling rocks and flame,
Till the suns met in heaven and began
Their cycles, and the morning stars sang, and the Word was Man!
Nay, nay, we are but crucified, and though
The bloody sweat falls from our brows like rain
Loosen the nails—we shall come down I know,
Staunch the red wounds—we shall be whole again,
No need have we of hyssop-laden rod,
That which is purely human, that is godlike, that is God.
O merrily the throstle sings!
I sought, amid the tangled sheen,
Love whom mine eyes had never seen,
O the glad dove has golden wings!
Between the blossoms red and white,
O merrily the throstle sings!
My love first came into my sight,
O perfect vision of delight,
O the glad dove has golden wings!
The yellow apples glowed like fire,
O merrily the throstle sings!
O Love too great for lip or lyre,
Blown rose of love and of desire,
O the glad dove has golden wings!
But now with snow the tree is grey,
Ah, sadly now the throstle sings!
My love is dead: ah! well-a-day,
See at her silent feet I lay
A dove with broken wings!
Ah, Love! ah, Love! that thou wert slain—
Fond Dove, fond Dove return again!
A wild moon in this wintry sky
Gleams like an angry lion’s eye
Out of a mane of tawny clouds.
The muffled steersman at the wheel
Is but a shadow in the gloom;—
And in the throbbing engine-room
Leap the long rods of polished steel.
The shattered storm has left its trace
Upon this huge and heaving dome,
For the thin threads of yellow foam
Float on the waves like ravelled lace.
O moon with the brows of gold!
Rise up, rise up, from the odorous south!
And light for my love her way,
Lest her little feet should stray
On the windy hill and the wold!
O beautiful star with the crimson mouth!
O moon with the brows of gold!
O ship that shakes on the desolate sea!
O ship with the wet, white sail!
Put in, put in, to the port to me!
For my love and I would go
To the land where the daffodils blow
In the heart of a violet dale!
O ship that shakes on the desolate sea!
O ship with the wet, white sail!
O rapturous bird with the low, sweet note!
O bird that sits on the spray!
Sing on, sing on, from your soft brown throat!
And my love in her little bed
Will listen, and lift her head
From the pillow, and come my way!
O rapturous bird with the low, sweet note!
O bird that sits on the spray!
O blossom that hangs in the tremulous air!
O blossom with lips of snow!
Come down, come down, for my love to wear!
You will die on her head in a crown,
You will die in a fold of her gown,
To her little light heart you will go!
O blossom that hangs in the tremulous air!
O blossom with lips of snow!
We loitered down the moonlit street,
And stopped beneath the harlot’s house.
Inside, above the din and fray,
We heard the loud musicians play
The ‘Treues Liebes Herz’ of Strauss.
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.
Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,
Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.
Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.
Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.
Then, turning to my love, I said,
‘The dead are dancing with the dead,
The dust is whirling with the dust.’
But she—she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.
Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.
And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
And keen and cold this winter sun,
But round my chair the children run
Like little things of dancing gold.
Sometimes about the painted kiosk
The mimic soldiers strut and stride,
Sometimes the blue-eyed brigands hide
In the bleak tangles of the bosk.
And sometimes, while the old nurse cons
Her book, they steal across the square,
And launch their paper navies where
Huge Triton writhes in greenish bronze.
And now in mimic flight they flee,
And now they rush, a boisterous band—
And, tiny hand on tiny hand,
Climb up the black and leafless tree.
Ah! cruel tree! if I were you,
And children climbed me, for their sake
Though it be winter I would break
Into spring blossoms white and blue!
To one he loved in secret, and apart.
And now the brawlers of the auction mart
Bargain and bid for each poor blotted note,
Ay! for each separate pulse of passion quote
The merchant’s price. I think they love not art
Who break the crystal of a poet’s heart
That small and sickly eyes may glare and gloat.
Is it not said that many years ago,
In a far Eastern town, some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God’s wonder, or His woe?
So now is music prisoned in her cave,
Save where some ebbing desultory wave
Frets with its restless whirls this meagre strand.
And in the withered hollow of this land
Hath Summer dug herself so deep a grave,
That hardly can the leaden willow crave
One silver blossom from keen Winter’s hand.
But who is this who cometh by the shore?
(Nay, love, look up and wonder!) Who is this
Who cometh in dyed garments from the South?
It is thy new-found Lord, and he shall kiss
The yet unravished roses of thy mouth,
And I shall weep and worship, as before.
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd’s fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd’s note.
Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.
What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No hornèd Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.
Hylas is dead,
Nor will he e’er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.
Crawls like a yellow butterfly,
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
Into the meadow’s dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!
He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!
O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!
Were it worth the pleasure,
We never could learn love’s song,
We are parted too long.
Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!
I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;
And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird’s throat
With its last big note;
And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;
And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.
You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.
I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet,
Little wings to your feet.
I remember your hair—did I tie it?
For it always ran riot—
Like a tangled sunbeam of gold:
These things are old.
I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;
And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From your shoulders rose.
And the handkerchief of French lace
Which you held to your face—
Had a small tear left a stain?
Or was it the rain?
On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,
‘You have only wasted your life.’
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.
Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!
Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know,
Poets’ hearts break so.
But strange that I was not told
That the brain can hold
In a tiny ivory cell
God’s heaven and hell.
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea
Flows at our heels, and gloom of sunless night
Covers the days which never more return?
Ambition, love and all the thoughts that burn
We lose too soon, and only find delight
In withered husks of some dead memory.
O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?
No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!
Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?
And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!
Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?
Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?
Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.
No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!
This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!
A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!
This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!
Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!
A beautiful and silent Sphinx has watched me through the shifting
Inviolate and immobile she does not rise she does not stir
For silver moons are naught to her and naught to her the suns that
Red follows grey across the air, the waves of moonlight ebb and flow
But with the Dawn she does not go and in the night-time she is there.
Dawn follows Dawn and Nights grow old and all the while this curious
Lies couching on the Chinese mat with eyes of satin rimmed with gold.
Upon the mat she lies and leers and on the tawny throat of her
Flutters the soft and silky fur or ripples to her pointed ears.
Come forth, my lovely seneschal! so somnolent, so statuesque!
Come forth you exquisite grotesque! half woman and half animal!
Come forth my lovely languorous Sphinx! and put your head upon my
And let me stroke your throat and see your body spotted like the Lynx!
And let me touch those curving claws of yellow ivory and grasp
The tail that like a monstrous Asp coils round your heavy velvet paws!
* * * * *
A THOUSAND weary centuries are thine while I have hardly seen
Some twenty summers cast their green for Autumn’s gaudy liveries.
But you can read the Hieroglyphs on the great sandstone obelisks,
And you have talked with Basilisks, and you have looked on
O tell me, were you standing by when Isis to Osiris knelt?
And did you watch the Egyptian melt her union for Antony
And drink the jewel-drunken wine and bend her head in mimic awe
To see the huge proconsul draw the salted tunny from the brine?
And did you mark the Cyprian kiss white Adon on his catafalque?
And did you follow Amenalk, the God of Heliopolis?
And did you talk with Thoth, and did you hear the moon-horned Io weep?
And know the painted kings who sleep beneath the wedge-shaped Pyramid?
* * * * *
LIFT up your large black satin eyes which are like cushions where one
Fawn at my feet, fantastic Sphinx! and sing me all your memories!
Sing to me of the Jewish maid who wandered with the Holy Child,
And how you led them through the wild, and how they slept beneath your
Sing to me of that odorous green eve when crouching by the marge
You heard from Adrian’s gilded barge the laughter of Antinous
And lapped the stream and fed your drouth and watched with hot and
The ivory body of that rare young slave with his pomegranate mouth!
Sing to me of the Labyrinth in which the twi-formed bull was stalled!
Sing to me of the night you crawled across the temple’s granite plinth
When through the purple corridors the screaming scarlet Ibis flew
In terror, and a horrid dew dripped from the moaning Mandragores,
And the great torpid crocodile within the tank shed slimy tears,
And tare the jewels from his ears and staggered back into the Nile,
And the priests cursed you with shrill psalms as in your claws you
seized their snake
And crept away with it to slake your passion by the shuddering palms.
* * * * *
WHO were your lovers? who were they who wrestled for you in the dust?
Which was the vessel of your Lust? What Leman had you, every day?
Did giant Lizards come and crouch before you on the reedy banks?
Did Gryphons with great metal flanks leap on you in your trampled
Did monstrous hippopotami come sidling toward you in the mist?
Did gilt-scaled dragons writhe and twist with passion as you passed
And from the brick-built Lycian tomb what horrible Chimera came
With fearful heads and fearful flame to breed new wonders from your
* * * * *
OR had you shameful secret quests and did you harry to your home
Some Nereid coiled in amber foam with curious rock crystal breasts?
Or did you treading through the froth call to the brown Sidonian
For tidings of Leviathan, Leviathan or Behemoth?
Or did you when the sun was set climb up the cactus-covered slope
To meet your swarthy Ethiop whose body was of polished jet?
Or did you while the earthen skiffs dropped down the grey Nilotic
At twilight and the flickering bats flew round the temple’s triple
Steal to the border of the bar and swim across the silent lake
And slink into the vault and make the Pyramid your lúpanar
Till from each black sarcophagus rose up the painted swathèd dead?
Or did you lure unto your bed the ivory-horned Tragelaphos?
Or did you love the god of flies who plagued the Hebrews and was
With wine unto the waist? or Pasht, who had green beryls for her eyes?
Or that young god, the Tyrian, who was more amorous than the dove
Of Ashtaroth? or did you love the god of the Assyrian
Whose wings, like strange transparent talc, rose high above his
Painted with silver and with red and ribbed with rods of Oreichalch?
Or did huge Apis from his car leap down and lay before your feet
Big blossoms of the honey-sweet and honey-coloured nenuphar?
* * * * *
HOW subtle-secret is your smile! Did you love none then? Nay, I know
Great Ammon was your bedfellow! He lay with you beside the Nile!
The river-horses in the slime trumpeted when they saw him come
Odorous with Syrian galbanum and smeared with spikenard and with
He came along the river bank like some tall galley argent-sailed,
He strode across the waters, mailed in beauty, and the waters sank.
He strode across the desert sand: he reached the valley where you lay:
He waited till the dawn of day: then touched your black breasts with
You kissed his mouth with mouths of flame: you made the hornèd god
You stood behind him on his throne: you called him by his secret name.
You whispered monstrous oracles into the caverns of his ears:
With blood of goats and blood of steers you taught him monstrous
White Ammon was your bedfellow! Your chamber was the steaming Nile!
And with your curved archaic smile you watched his passion come and
* * * * *
WITH Syrian oils his brows were bright: and wide-spread as a tent at
His marble limbs made pale the moon and lent the day a larger light.
His long hair was nine cubits’ span and coloured like that yellow gem
Which hidden in their garment’s hem the merchants bring from
His face was as the must that lies upon a vat of new-made wine:
The seas could not insapphirine the perfect azure of his eyes.
His thick soft throat was white as milk and threaded with thin veins
And curious pearls like frozen dew were broidered on his flowing silk.
* * * * *
ON pearl and porphyry pedestalled he was too bright to look upon:
For on his ivory breast there shone the wondrous ocean-emerald,
That mystic moonlit jewel which some diver of the Colchian caves
Had found beneath the blackening waves and carried to the Colchian
Before his gilded galiot ran naked vine-wreathed corybants,
And lines of swaying elephants knelt down to draw his chariot,
And lines of swarthy Nubians bare up his litter as he rode
Down the great granite-paven road between the nodding peacock-fans.
The merchants brought him steatite from Sidon in their painted ships:
The meanest cup that touched his lips was fashioned from a chrysolite.
The merchants brought him cedar chests of rich apparel bound with
His train was borne by Memphian lords: young kings were glad to be his
Ten hundred shaven priests did bow to Ammon’s altar day and night,
Ten hundred lamps did wave their light through Ammon’s carven
Foul snake and speckled adder with their young ones crawl from stone
For ruined is the house and prone the great rose-marble monolith!
Wild ass or trotting jackal comes and couches in the mouldering gates:
Wild satyrs call unto their mates across the fallen fluted drums.
And on the summit of the pile the blue-faced ape of Horus sits
And gibbers while the fig-tree splits the pillars of the peristyle
* * * * *
THE god is scattered here and there: deep hidden in the windy sand
I saw his giant granite hand still clenched in impotent despair.
And many a wandering caravan of stately negroes silken-shawled,
Crossing the desert, halts appalled before the neck that none can
And many a bearded Bedouin draws back his yellow-striped burnous
To gaze upon the Titan thews of him who was thy paladin.
* * * * *
GO, seek his fragments on the moor and wash them in the evening dew,
And from their pieces make anew thy mutilated paramour!
Go, seek them where they lie alone and from their broken pieces make
Thy bruisèd bedfellow! And wake mad passions in the senseless stone!
Charm his dull ear with Syrian hymns! he loved your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls of linen round his
Wind round his head the figured coins! stain with red fruits those
Weave purple for his shrunken hips! and purple for his barren loins!
* * * * *
AWAY to Egypt! Have no fear. Only one God has ever died.
Only one God has let His side be wounded by a soldier’s spear.
But these, thy lovers, are not dead. Still by the hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies for thy head.
Still from his chair of porphyry gaunt Memnon strains his lidless eyes
Across the empty land, and cries each yellow morning unto thee.
And Nilus with his broken horn lies in his black and oozy bed
And till thy coming will not spread his waters on the withering corn.
Your lovers are not dead, I know. They will rise up and hear your
And clash their cymbals and rejoice and run to kiss your mouth! And
Set wings upon your argosies! Set horses to your ebon car!
Back to your Nile! Or if you are grown sick of dead divinities
Follow some roving lion’s spoor across the copper-coloured plain,
Reach out and hale him by the mane and bid him be your paramour!
Couch by his side upon the grass and set your white teeth in his
And when you hear his dying note lash your long flanks of polished
And take a tiger for your mate, whose amber sides are flecked with
And ride upon his gilded back in triumph through the Theban gate,
And toy with him in amorous jests, and when he turns, and snarls, and
O smite him with your jasper claws! and bruise him with your agate
* * * * *
WHY are you tarrying? Get hence! I weary of your sullen ways,
I weary of your steadfast gaze, your somnolent magnificence.
Your horrible and heavy breath makes the light flicker in the lamp,
And on my brow I feel the damp and dreadful dews of night and death.
Your eyes are like fantastic moons that shiver in some stagnant lake,
Your tongue is like a scarlet snake that dances to fantastic tunes,
Your pulse makes poisonous melodies, and your black throat is like the
Left by some torch or burning coal on Saracenic tapestries.
Away! The sulphur-coloured stars are hurrying through the Western
Away! Or it may be too late to climb their silent silver cars!
See, the dawn shivers round the grey gilt-dialled towers, and the rain
Streams down each diamonded pane and blurs with tears the wannish day.
What snake-tressed fury fresh from Hell, with uncouth gestures and
Stole from the poppy-drowsy queen and led you to a student’s cell?
* * * * *
WHAT songless tongueless ghost of sin crept through the curtains of
And saw my taper burning bright, and knocked, and bade you enter in?
Are there not others more accursed, whiter with leprosies than I?
Are Abana and Pharphar dry that you come here to slake your thirst?
Get hence, you loathsome mystery! Hideous animal, get hence!
You wake in me each bestial sense, you make me what I would not be.
You make my creed a barren sham, you wake foul dreams of sensual life,
And Atys with his blood-stained knife were better than the thing I am.
False Sphinx! False Sphinx! By reedy Styx old Charon, leaning on his
Waits for my coin. Go thou before, and leave me to my crucifix,
Whose pallid burden, sick with pain, watches the world with wearied
And weeps for every soul that dies, and weeps for every soul in vain.